I first start writing scripts and novels while working as a lumberjack in a coal-mining town. It was considered weird, to be charitable. 

I was originally drawn into proper film and TV as a writer — my first project was scripting a period cannibal convict film. Followed that up with a short-but-spectacular career as an avante-garde poet that ended in a cross-country pink ambulance tour — before jumping into professional production as a writer/director and editor .

More recently, my short film HYPERNOVA hit the pandemic-infused festival circuit in 2020, joined by Jim Morrison's BONECRUSHER soon after. My short film TIMEBOX screened at several fests, and played CBC's Canadian Reflections, mostly at Halloween.

I tend to write about oddballs and freaks and miscreants and nimrods. They're the best -- outsider characters in unique situations, grounded in regular humanity. That’s what I love about good books and TV—following geeks and iconoclasts through strange and harrowing settings as they blow up their daily lives. I appreciate specificity, oddness, honesty and watching it mash up against the human experience and what we all need—love, warmth, shelter, and—love.

I'm currently writing scripts and novels, developing features and TV projects. If yr interested in reading something, try the ebook LoFi-Sci-Fi in the Land of Gangnam, published by NMK. It's an R-rated true comic tale of implosion and doom set at a Korean Film Festival for kids. Or please reach out -- I've got brand-new specs and pilots.

Book editors -- my debut novel THE RIDGEBACK is represented by Wayne Arthurson of The Rights Factory.

For all inquiries contact him at:

Wayne Arthurson
wayne@therightsfactory.com
780-432-1460